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business · · 7 min read

How to Promote an Event on a Billboard, in the Week It Sells

Gigs, club nights, comedy and local fixtures sell late. How organisers use a local digital billboard in the final days, from £10 a day, live in minutes.

Tickets sell late. According to Skiddle's festival data, almost a fifth of festival tickets in the 2024 season sold in the final week before the event. Our own data points the same way for smaller events, as you'll see below.

The old billboard never fitted that. You booked it weeks ahead through a media buyer, paid for a fortnight, and hoped the date was still right. A Friday gig announced on a Monday never stood a chance.

A digital screen you book yourself works on event time. You can go live tonight, run it for the three days that matter, and change "Friday" to "Tonight" on the morning of the show.

What event organisers actually do

We looked at every paid event ad on FameCake from January to September 2026. They come from bands and promoters, event companies, local sports fixtures, and theatre groups.

81%went live within 24 hours of payment
86%ran for three days or fewer
£15typical spend on one ad
Paid event ads on FameCake, 1 January to 25 September 2026. Typical spend is the median.

Organisers don't run long campaigns. They run short, sharp bursts right before the event. Only 6% of event ads were booked more than a week ahead.

And the weekend is where it lands. Friday is by far the most common day for an event ad to start, followed by Saturday.

Share of event ads by start day
8%Mon
11%Tue
12%Wed
14%Thu
25%Fri
20%Sat
10%Sun
Paid event ads on FameCake, January to September 2026.

They also come back. About a quarter of organisers booked more than once, and those repeat customers placed 58% of all event ads. A promoter with a monthly night books the screen every month.

One honest caveat: this is what organisers bought, not a measure of tickets sold. We can't see the door. The repeat rate is the best signal we have.

Example gig poster ad on a wide roadside digital screen on Ashton Old Road, Manchester
An example ad for a fictional band, mocked up on a real roadside screen on Ashton Old Road, Manchester.

Every ticket counts for small venues

If you run or book a small venue, you don't need telling that margins are thin. The Music Venue Trust's 2025 annual report found that 30 grassroots venues closed permanently in a year, and 53% made no profit at all in 2025. The average profit margin was 2.5%. The Night Time Industries Association says 28.7% of late-night venues have closed since March 2020.

On those margins, promotion has to pay for itself quickly. The maths on a screen is short. At £8 a ticket, two extra people through the door cover a £15 day.

The legal alternative to fly-posting

Everyone who's ever put on a gig has thought about the lamppost. It's cheap, it's local, and it's illegal without permission.

Under section 224 of the Town and Country Planning Act, displaying an advert without consent is a criminal offence with a fine of up to £2,500, plus £250 a day if the poster stays up. Councils can also issue on-the-spot fines, and many are raising them:

What one fly-poster can cost
Kensington and Chelsea fixed penalty£300
Waltham Forest fixed penalty£350
Southwark fine£500
Maximum court fine£2,500
York prosecution, March 2025£5,421
A day on a FameCake screenfrom £10
Sources: RBKC, March 2025; Waltham Forest Council; Southwark Council; City of York Council, March 2025. Waltham Forest's penalty drops to £250 if paid within two weeks.

The York case wasn't a promoter. It was a holiday company that ignored ten fixed penalty notices and ended up in front of magistrates. But the law is the same for a band's poster. A screen is the lamppost with permission, a bigger picture, and no one peeling it off overnight.

A billboard plan for your next event

Most of the budget belongs in the final days. Here's a plan that follows what organisers already do:

A week or more outAnnounce it. One screen near the venue for a day or two, with the date and where to buy.
Final three daysThe main push. Screens on the routes people take to the venue, Thursday to Saturday.
On the dayChange the message to "Tonight". Add "tickets on the door" if you have them.
After the showPut up the next date while the crowd still remembers the last one.

For a single show, one or two screens near the venue is plenty. A run of dates in different towns works differently: one screen in each town for the day before its show. Some organisers go wide. One in ten event ads ran on nine screens or more.

What to put on it

People pass a screen in a few seconds, so an event ad has to be read, not studied. Five things, no more:

  1. What it is: the band, the night, the fixture.
  2. When: "This Friday" or "Tonight" beats a full date.
  3. Where: the venue name people know.
  4. How much, if the price is a selling point.
  5. Where to get tickets: a short web address, or "on the door".

Skip the line-up of eight support acts and the sponsor logos. A poster works up close. A billboard works at 30 miles an hour. There's more on this in what makes a good billboard ad.

Example comedy night ad on a portrait digital screen above St David's Centre, Cardiff
An example ad for a fictional comedy night, mocked up on a real screen at St David's Centre, Cardiff.

What it costs

Day rates run from £10 on smaller screens to £60 on the biggest. For a standard £15-a-day screen:

Plan Setup Cost
The day itself 1 screen near the venue, 1 day £15
The final push 1 screen, 3 days £42
Two routes in 2 screens, 3 days about £74
A monthly night 1 screen, 3 days, every month £42 a month

Prices include VAT. Extra screens on the same ad are 25% off, and there's no contract or minimum spend. See the full cost guide for bigger formats.

Count the door

Put a code on the screen that only works on your ticket page, like "SCREEN10", and every sale using it is one you can count. Or ask at the door how people heard. Compare a night with a screen against a night without. If it pays for itself in tickets, book it for the next one.

Getting started

The best time to promote an event is the week it sells, and until recently a billboard couldn't do that week. Now it can. Pick a screen near the venue, upload your poster, and you're live in minutes.

See how one-day ads work, or find a screen near your venue.


FameCake figures cover paid ads from 1 January to 25 September 2026. Prices are live 2026 UK self-service rates, include VAT, and vary by screen, size and run length.

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